In Maus
II, Art continues to press his father for information about the Holocaust.
However, there is one point where it gets too much for Art and he pleads not to
hear anymore. This occurs when Vladek describes the Jews in the gas chambers,
“their fingers were broken from trying to climb up the walls… and sometimes
their arms were as long as their bodies, pulled for the sockets” (71). Although
Art wants to hear as much as he can about his father’s experiences in
Auschwitz, learning about them is extremely painful for him. By using a framed
story structure and graphic novel form with animals instead of humans, the
reader is able to digest Vladek’s story more easily. The graphic novel makes the
narrative more accessible, especially to those who would not generally choose
to read about the Holocaust. In using cartoons as opposed to photographs, for
the most part, Spiegelman removes the shock factor and level of disgust and
horror that may turn some readers away. In regards to the traumas of the
Holocaust getting passed from father to son; Vladek becomes increasingly
dependant on Art and Vladek’s frugal ways irritate Art. Nonetheless, the trauma
that Vladek experiences is described to Art and noted by him but not exactly
passed down to him. Art is certainly affected by the Holocaust though he cannot
experience the same trauma that plagues Vladek as his information is secondhand.
In the book, it was not Art who did not want to hear more about the bodies, it was Vladek. Vladek described "This guy who worked there, he told me...We pulled the bodies apart with hooks...their fingers were broken from trying to climb up the walls… and sometimes their arms were as long as their bodies, pulled for the sockets” (71). The only thing that is seems that Art wants to hear about is the Holocaust. Every detail. When Vladek gets sidetracked, Art usually puts him back on track.
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