In reading Tim O’Brien’s “How to Tell a True War Story”, one
of the scenes which most powerfully resonated with me was the one which
depicted the interaction between Rat Kiley, a friend of the writer, and the
baby water buffalo found by the group outside an abandoned village.
Kiley, still mourning the very recent death of his friend,
Curt Lemon, is initially almost nurturing in his treatment of the animal – he aids
the other soldiers in chasing it down, approaches it to stroke its nose, and even
attempts to give it some of their rations to eat. When the baby buffalo doesn’t
accept the offering, however, Kiley’s kindness swiftly vanishes, and he begins
to shoot the creature repeatedly, effectively torturing it, before leaving it
alive – though just barely – to retreat from the scene and be alone with his
grief. The other soldiers do not put the animal out of its mercy, though it
does presumably die when tossed down the village well.
One of the most important things to consider when reflecting
on the above scene is that it is, of course, a true story. As such, it is
nearly impossible to reflect upon the symbolism of what is described, as O’Brien
has no use for themes or metaphors; he is merely recounting the memory of
something that happened. It is clear from the writing, however, that Rat Kiley
had initially intended to be charitable towards the young buffalo – and that
the ineffectiveness of his attempt at altruism triggered a frustration which
led him to instead turn to violence, treating it as something of a punching
bag. It is significant, I think, that the buffalo reacts to its injuries much
in the same way it did to the food it was offered – this is to say, not at all.
One could propose the theory that this was the true source of Kiley’s increased
rage and cruelty: perhaps he felt ineffective, having been unable to make a
difference to the death of Lemon, and now unable to make a difference to the
disposition of this buffalo calf. This inability to provoke a response is
something that would also later become true of his letter to Lemon’s sister,
and of every soldier’s role in the war as a whole: all-consuming and uncaring,
it renders every personal grievance and struggle microscopic and, thus,
ineffectual.
I found this blog really interesting about the baby water buffalo and the way Kiley treats it after the recent death of his friend and how you proposed a possible theory in relation to the letter to Lemon's sister. Failure to receive a response from either indeed does show personal grievance, uncaring, and struggle in not only Kiley but the soldiers who just stood their watching him as well.
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